Keep the Music Going at Home!
Private and Group Lessons Now Available Online!
ONLINE GROUP LESSONS are now open for registration! Session begins April 6.
Private lessons are available online as well. Email us at firstname.lastname@example.org!
Doors 6:30 // Show 7:00 PM
$12 advance, $15 door
Beer // wine // non-alcoholic beverages available for purchase. No food.
Her Crooked Heart
With To Love To Leave To Live, Minneapolis-based Her Crooked Heart presents a debut record unique in form, made up of cyclical narratives and intertwining histories, each informing the next. The result is a transformative song cycle, led by a charismatic personality, wholly indifferent to expectations of genre and instrumentation. Rachel Ries, the writer, multi-instrumentalist and producer behind Her Crooked Heart, demonstrates immense vulnerability and multifaceted musical craftsmanship to deliver a personal and profound musical soliloquy on love, leaving and the life that follows after burning it all down.
To bring these songs and this record to the stage, Ries has enlisted a powerful group of women; women who can, in their way, take on the feminine, humanist mantle of Her Crooked Heart and make it their own: Siri Undlin (Humbird), Adelyn Strei (Adro), Hilary James (We are the Willows, Bathtub Cig). The quartet blends classical and electric guitar; piano and vintage synths; cello, woodwinds and drum triggers. This merging of acoustic and synthetic sounds is all in service of the voice: four part vocal harmonies that shift from ethereal to an elemental wail, always telling a story of transformation.
In 2013, after two and a half years of marriage, Ries found herself touring a record around the world, accompanied by a stack of divorce papers in a pocket of her suitcase. She had left her marriage and a good man in New York City and leapt into the untethered unknown. What transpired was in turns euphoria and despondence; old lessons learned in new ways. The songs on To Love To Leave To Live are a compassionate and at times wry catalogue of those tumultuous years, unflinchingly captured in the studio with co-producer Shane Leonard. Several collaborators, some of whom Ries met while touring with Anaïs Mitchell, helped create the vast and varied soundscape: Brian Joseph (Sufjan Stevens, Paul Simon), Rob Moose (yMusic, Alabama Shakes), Mike Lewis (Bon Iver), Alec Spiegelman (Cuddle Magic), Pat Keen, John DeHaven, Ben Lester and Rachel’s own siblings.
Diane Cluck is a singer-songwriter of intuitive folk music. She tours the US, UK and Europe, employing singing as a healing, textural experience in which audiences may wander, ponder, or simply be. Her vocal style has been noted for its clipped, glottal beauty, and described by NPR as “an unlikely mix of Aaron Neville, the Baka people, and Joni Mitchell…unaffected yet unusual”. She accompanies herself on various instruments including guitar, piano, harmonium, zither, and a copper pipe instrument she built by hand. With an unusual finger-picking style producing harp-like tones, Time Out New York cited her as a “brilliant idiosyncratic guitarist”.
Diane contributed to New York’s burgeoning Antifolk scene in the early 2000s. Since then, singer-songwriters Laura Marling, Florence Welch (of Florence And The Machine), and Sharon Van Etten have cited Diane’s work as influential.
Diane released her seventh album, Boneset, through Important Records in 2014. A new album, Common Wealth, is in the works for 2019.
Since 2017 Diane has been leading singing and songwriting workshops across the US, UK and Canada. At home in Virginia, Diane teaches at The Front Porch, Charlottesville’s roots music school, and was Songwriting Instructor for the University of Virginia’s Young Writers Workshop in 2018